Here’s a modestly panoramic shot of the section of Sittingbourne High Street that will host re:bourne. What you can’t see, and what even ‘regular’s don’t see (because we’ve asked them), is the very beautiful architecture on much of the street: lovely Victorian crenellation on rooftops, sturdy Tudor carriageway arches, and much more. Strange as it may sound, we’ve worked on and in a lot of high streets and have concluded that this is one of the nicest!

Over the next few weeks, keep an eye on the lampposts if you find yourself down Sittingbourne way…just one of many surprises to follow.

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Well, it’s coming soon, folks. Re:bourne. The event. The happening. The reinterpretation/reinvention/revisioning of the lower half of Sittingbourne High Street via art, performance, sound and music…and most importantly of all, through interaction with our audiences, who we hope will muck in, have fun and through participating make the event truly come alive.

Here are a few more spaces and places to be transformed for re:bourne by Nimble Fish, Workers of Art, and the 14 artists and performers working with us. We hope to dazzle those visiting Sittingbourne for the first time; for regulars, we hope that this new look at their community is a welcome one, good for smiles, laughs and more than a few, ‘Hmmm, never thought about it that way before’ moments.

Working as we have done in Sittingbourne over the past few months, we’ve become very fond of the innate beauty of the high street: its history, its architecture, and most certainly its people. Re:bourne is about capturing and focusing this beauty and finding, we hope, a new way of conveying it to the people of Sittingbourne, Swale and beyond. We hope you’ll join us…

Very excited about this shopping arcade as one of our main spaces in our August event in Sittingbourne…it’s gonna be beautiful…

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…for our August site-responsive show.

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Q: When is it better to have your delicate, multi-media experimental show in a blaring, bustling shopping mall than in a lovely studio theatre?

A: When it’s designed and promoted that way.
Alas, we found ourselves on the wrong side of this equation at the recently-concluded Pulse Festival Fringe in beautiful Ipswich. I know it’s considered déclassé by some to admit that one’s show has anything, ever, than a stellar, Earth-shatteringly successful run. But let’s face it, you learn as much from what doesn’t work as the opposite…even, as in our case, when what didn’t work is largely the result of the mercantile equivalent of deux ex machina.
Let me declare at the outset that the tumbleweed blowing through the ranks of empty seats at our ‘Burning Out’ shows had nothing to do with the folks at Pulse (we love you guys! honest!) Pulse had the great idea of taking its offerings straight into the commercial heart of Ipswich, grabbing a nice empty shop space in the Buttermarket Centre. We were one of several shows in that space, to be offered free of charge, with us and the Pulse gang working the tiles to convince the Buttermarket’s bag-toting legions to stop in, take a load off, and experience something more interesting than another overcooked Starbucks latte or a manic crowd-surf through New Look.
And then, just before the Pulse programme opened, the unthinkable happened: the centre leased the shop. Out went our show, and it is to the credit of our Pulse friends that they managed to squeeze us into the New Wolsey Studio and hoof around some amended posters and flyers. But of course it wasn’t the same. A free, unticketed show only works if you’ve got the venue, promotion and environment designed for it. We were pleased and gratified by those folks who did come and see us, and our talkback sessions after the shows were lively and, for us, very encouraging indeed given the experimental nature of the show, our first created via our new Re:Authoring Project. But we’d looked forward to the rustle of shopping bags tucked under seats, the murmuring of slightly confused but intrigued voices, and after all was done opening the doors and ushering our dazed but hopefully happy audience back into their gleaming capitalist playground.
Even now, I’m not quite sure whether to be heartened or saddened that commerce won over art. No one can be against some new jobs, which presumably what our eviction produced. But is the better use of a mall–that collective watering hole for the modern masses–as a purveyor of culture or a perpetuator of consumerism? Maybe there’s a happy medium. If you’ve found it, let us know. Meanwhile, there are other slack spaces to commandeer, if only for a while.

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We can finally (finally!) talk about the exciting gig we’re going to lead this summer: a site-responsive, slack-space, community-driven happening in Sittingbourne (Kent) that we’re calling re:bourne. Nominally, this is a community festival…but it’s so much more. Re:bourne has narrative content, hidden spaces, surprises, interactivity and wonder; it’s visual, aural, performative and experiential.
All of it, though, is in service of a very clear and important goal:  to allow the people of Sittingbourne and Swale to re-experience a familiar and economically-challenged part of their community (we’re using an entire section of the high street as the event space, including unused commercial spaces). More, the community will have created and directly inputted into what results in the final event. While we’re leading it, they’re creating it. When we’re gone, they will carry on with what’s been created.
The ‘we’ in this context is more than Nimble Fish; we’ve partnered with a new Kent-based arts organisation called Workers of Art, which includes some friends and colleagues we’ve known and respect for some time now. We’ve never embarked on a collaboration on this scale, in which we are joined at the hip artistically and financially. Scary? Sure. The level of communication required to keep all of us on the same page is remarkable. But as previous posts have underscored, we think this is the way of the future in the cultural sector.
Watch this space: we’ll be blogging a lot about re:bourne itself, the process of collaboration, and any number of things brought to light therein. Let us know what you think.

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Yesterday, I had the privilege of listening to 13 presentations, in pecha-kucha format,  from some of the most interesting and innovative arts-based companies in London.  This was part of A New Direction’s programme “The Biggest Learning Opportunity on Earth,” already mentioned in our blogs.  The workshop was held in the View Tube, a space overlooking the shell of the new Olympic Stadium. I was concerned that it might be hard to keep my focus in the room especially as £16,000,000 of steel was literally being put up before my very eyes. How wrong I was.

The day was a constant stream of ideas, dynamic in their range and scope, as well as an opportunity to collect other people’s insights whilst sharing my own feedback.  I was introduced to projects that had puppets from another planet, giant sculptures made from recycled materials, clay collected from around the globe, immersive theatre, site-specific ideas using the body as a site, I even found out Arnold Schwarzenegger trained in Canning Town.  Who knew presentations and networking could be so playful!

Being a cultural producer  in a crowded market, and in an even more crowded city, sometimes feels like a very competitive place to be. But yesterday was a healthy reminder that open, honest, dialogue with organisations working with the same aims (and the chasing same pots of money)  is an essential part of our creative process.  It enable ideas to grow, it leads us into uncharted territory and encourages us to be a little bolder, as well as challenging ‘baggy’ ideas.  It’s also fun. Walking back to the DLR, past the stadium, I was once again overwhelmed by the magnitude and scale of the Olympic site.  I wondered to myself: what would happen if all the arts companies working with young people in Camden decided to come together on one project, all the arts companies in Leeds or Edinburgh or the South West, etc? What could it mean? What could it achieve?

In that spirit of sharing, here are the details of two brilliant organisations  who work with young people to make accessible architectural and design procedures in building, and who are also our partners on The Biggest Learning Opportunity on Earth.   Please have a look at what they are up to.

Fundamental Architectural Inclusion is an architecture centre that seeks new ways of communities to participate in the transformation of their neighbourhood.

www.fundamental.uk.net

Rolling Sound creates and runs multi-media courses. Their design courses are being used by young people to create plans and designs as if they were planning their very own public monuments.

www.rollingsound.co.uk

When its a map….

These images were taking during a project at  Marriotts School in Stevenage

I had my facilitator hat on

and was encouraging Yr7staff and students

to see and use space differently

We armed students with masking tape and asked them to

create a map of their experiences at school.

This map covered the entire floor in the hall.

Over 150 students contributed to it.

This was a very simple idea but the results were fantastic, students worked in groups, negotiating and collaborating.  Spatial awareness was crucial as was developing a visual language together.

Some of the images created had obvious explanations

and some…

were a little more opaque!

Either way,  plenty of things to discuss

and consider.

These Year 7 boys from Forest Hill School were involved in “Experimentology”.

When I asked why  they had decided to create a magazine, they told me “we want to read stuff that’s written by students and not the staff”.  That sounds like a good idea to me! The results were fantastic – beautiful photography, graphic design and illustration, poetry and reviews.

A life-sized board game created by Michael and Samar for a Nimble Fish project completed today. Fun!

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